Tongues

Trees

Stories about the land that holds us, the voices that linger, and what we learn when we stay long enough to listen.

by David Ammons – 115 pages – Softcover


Tongues in Trees
is a collection of lyrical, deeply reflective essays rooted in the canyons, rivers, and high country of northern Colorado. Moving between memory and landscape, these stories explore inheritance, solitude, loss, resilience, and the quiet ways the natural world teaches us who we are.

Set among rivers that refuse pretense, forests that remember, and mountains that demand honesty, the book traces a life shaped by place—by family legacies carried forward, by seasons that repeat and change us, and by moments of reckoning that arrive whether we invite them or not. There are stories of childhood and parenthood, of accidents and recoveries, of fire and water, of the visible world and the unseen presences that linger within it.

Written in a voice that is both plainspoken and poetic, Tongues in Trees invites readers to slow down, pay attention, and listen more closely—to the land beneath their feet and to the questions that rise when the noise falls away. These essays are not about escaping the modern world, but about finding perspective within it, guided by the steady wisdom of wild places that continue to speak, if we’re willing to hear them.


In Tongues in Trees: Tales of Canyons, Rivers, and Woods, David Ammons invites readers into a life shaped by family, landscape, and quiet moments of reflection. His voice is clear and accessible, carrying the warmth of a friend sharing stories gathered over years—memories from childhood and adulthood alike, offered without pretense and rich with meaning.
Placeholder Image
Jim O’Donnell

1

8


2

Teeth


3

Seasons


4

Javelin


5

The wrong side of the river


6

Strippers


7

Above the fold


8

Bears, vandals, and bandits


9

Invisible


10

Ancestors


11

Black Hollow


12

Tongues in Trees


13

Next journey


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Black Hollow

The Cache la Poudre River has always been a paradox. It is Colorado’s only federally designated Wild and Scenic River, a ribbon of untamed water running through the northern Front Range. On some mornings it lies still and glassy, reflecting cottonwood and box elder, Douglas fir and ponderosa. The granite bulwarks and sheer drops are evidence of eons of river cutting rock. Some mornings it roars with snowmelt, flexing muscle that tosses rocks and boulders, ripping vulnerable trees from their roots if they grow too close to the edge. The Poudre is as close to a living thing as a river can be. It feeds sprawling towns and cities downstream along the Front Range. Water from the Poudre is the lifeblood of suburban development. It also destroys and heals, and reminds how important it ought to be for each of us to grapple with issues affecting its health.

Living in the canyon means learning to live with that paradox. You accept the gifts: trout in cold pools, moose in willow thickets, the painted aspens of September. And you accept the threats: wildfire, avalanche, flood. No one moves here for comfort. They come because the rawness makes them feel alive.

Black Hollow is one of the many side drainages feeding the Poudre. To most drivers winding their way up Highway 14, it is invisible, just another crease in the steep green slopes. But for the people who built homes there, it was a sanctuary. A creek ran through the hollow, a stream that trickled and murmured its way down from Crown Point, winding through spruce and willow, dropping into small pools framed by beardtongue and columbine, before spilling into the main river. To the casual eye, it was innocuous, unthreatening. To those who lived there, it was part of the charm of the little enclave.

I know a guy whose family has been on that spit of land since 1894. His father turned the small ledge of land into an RV park and laundromat, a practical man’s venture in a wild place. In 1974, the property was subdivided and the Black Hollow subdivision was born. Cabins, trailers, garages, porches—the patchwork of mountain life took root. Dan inherited that land, but more than a deed he inherited—like many of the legacy families in the Poudre—a relationship with the canyon itself.

When life in town soured—he lost his job, his marriage ended—he made a choice that felt both reckless and inevitable. He moved up full time. “I had enough to survive for a year,” he said. That was all the math he needed. He became the local handyman, did home inspections, and spent his days working on the double-wide trailer he now called home. For the first time in decades, he felt aligned with something larger than himself.

“I was living my dream,” he said. And you believed him.

July in the Rockies is predictable in one sense: clouds gather by noon, thunder rolls by afternoon, rain falls in bursts and then clears. The monsoon pattern is a comfort to those who know it. Dan knew it well. He had seen Black Hollow Creek swell before, then subside, as reliable as a heartbeat.

But 2021 was not an ordinary year. The Cameron Peak Fire, the largest wildfire in Colorado history, had swept through these mountains the summer before. It burned 208,000 acres, including the very slopes above Black Hollow. The trees were gone, the soil scorched into hydrophobic crust. Where once rain would have been absorbed, now it ran free, gathering in gullies, feeding the creek with a speed and volume it was never meant to hold.

On July 20, radar showed rain parked on Crown Point: one and a half to two inches an hour. What would have been another afternoon shower turned into something else entirely. The system sat and poured, hour after hour, feeding the headwaters of Black Hollow Creek.

The creek began to change. Three feet wide on a normal day, it swelled to twenty feet. Logs and branches jammed higher up in the watershed, creating temporary dams. One broke, then another, then another—dozens in succession. Each break released a surge, picking up more debris, creating new jams that in turn gave way. The creek wasn’t a creek anymore. It was morphing into a cascading machine of destruction.

Down in his trailer, Dan had no idea what was brewing upstream. He was preoccupied with something mundane: a leak in the water line. He had turned the system on earlier that day and noticed the pressure wasn’t right. Two other homes shared that line. He walked down to talk to his neighbor, Dick Brown, but Dick didn’t answer the door. Dan called him instead. Dick picked up, his voice steady, nothing unusual in it.

Dan poured himself a drink, settled onto his deck, called a friend. The rain began to fall, steady and hard, but that was nothing new. The power blinked, came back, blinked again. Then he heard what sounded like a shotgun blast. The power cut out completely. He stepped out to the patio and saw a foot and a half of mud already flowing across it. The power pole beside his cabin was swinging six feet in either direction, tethered by wires like a drunk giant on stilts. Still, he told himself, it’s the usual July monsoon rain, just a little angrier this day.

Then he saw Dick Brown’s house floating down the river…


David Ammons - Author of Sermons in Stones and Tongues in Trees, showing off a nice trout.

David Ammons

The river that raised me runs through land my family has held since the early 1900s – a wide, wild stretch of canyon country in northern Colorado with a few cabins that have sheltered generations through summers and winters, storms and wildfires, and everything in between. I grew up spending my summers here, learning the Cache la Poudre the way you only can when a place belongs to your family and your family belongs to it. Now, it remains the place I write from – literally and otherwise.

Sermons in Stones was my first attempt to put that life into words – eighteen stories about family, friends, and fly fishing from a man who has spent most of his adult life trying to get back to the mountains.

I don’t write because I have answers. I write because the Poudre keeps asking questions, and staying quiet about them feels like a waste of a perfectly good river.